Civilization Has Become an Uncritical Style of Life
Our toys are destined to kill us if we do not put our adolescent days behind us; and quickly. Resources are running out and the reality-principal is at hand.
‘Cabalistic’ (engaged in intrigues) is the term used to identify the characteristic of our urge for mystery, our passion for games and secrets; without it “man is just not man. Humans have an overwhelming desire to invest life with great significance. Wo/man is not a player in society but is a player at society.
Civilization has become an uncritical style of life that sacrifices the free energies of the citizen to a self-absorbed and largely fictional pattern of social meaning.
Shakespeare’s insight, as he proclaimed that life is a stage and we are the actors on that stage of life, leaves us pitiful in nude exposure of our self to our self, and places us in a position were we can no longer ‘just pretend’. Social theory has the task of comprehending the fictions, the games, the make-believe, we humans display in our effort to integrate our self into society; sociology has not failed in illuminating the games people play.
I have been reading about mythology written by Joseph Campbell. In his attempt to make it possibly for the reader to comprehend how myth works he speaks about the human ability to ‘make-believe’.
He speaks of the universality of childhood make-believe and of how this same characteristic is exhibited in human rituals. For example he uses the Catholic Church practice of mass when the priest changes the wine and bread into the ‘body and blood of Christ’. In other words it seems to be inherent in humans to make-believe and in the process to truly believe and, in truly believing, experience a form of ecstasy.
Such is our experience of understanding. In the process of trying to understand I create a model and then somewhere in this process of creating and modifying my model I pass to the point of believing the truth of my model thus the feeling of ecstasy.
In an attempt to explain to the novice the meaning of myth Campbell says that the “grave and constant in human suffering may, and sometimes does, lead to an experience that is the apogee of our life. This apogee experience is ineffable (not capable of expression). Campbell considers this to be true because it is verified by individuals who have had such an experience.
“And this experience, or at least an approach to it, is the ultimate aim of religion, the ultimate reference of all myth and rite¦The paramount theme of mythology is not the agony of quest but the rapture of revelation.
George Simmel was another great thinker who saw the “spirit that was in human perception. In his essay on the matter of ‘secret’ he “showed how wo/man needed to hold things in awe, surround them with mystery. In his great essays we can see “in precise and detailed analysis how idealism blends with materialism, how inseparable the “idea in a world of matter. He reveled that society itself is a game; people play not in, but at, society.
Max Weber the great sociologist showed us how power and prestige influences the division of the spoils of our economy; how war establishes our class structure; how economic considerations commodify subjects in our society; the prominent role of religion, myth, and the urge for eternal life affect our society; how we will sacrifice bread for belief and comfort for meaning; “how the whole panorama functions in a gigantic interplay of self-interest, survival, splendor and display, this-worldly waste and other worldly wonder¦and yet through it all how they satisfy man’s basic urge to meaning, to ever-larger and more satisfying, evermore comprehensive meaning.
Weber showed us “the newest social game of rational man—the game of numbers, calculations, efficiency: the uncompromising logic of modern bureaucracy. Our whole modern system was heading toward an adaptation par excellence that might be identified as our “bitter future.
Weber’s work was deficient in that he lacked a critical quality. Thorsten Veblen illuminated just how we use conspicuous consumption and waste for the sake of show. It required a critical mind to show the waste and destruction of the commercial-industrial bureaucratic style assembled in the name of capitalism. “How finally the most deadly mask of all could be pulled down over the commercial-industrial style of life: the mask of national survival, the mask of patriotism, the mask of unquestioned loyalty, of self-sacrifice—in a word, the destruction of men to the uncritical support of efficient waste.
Civilization has become an uncritical style of life that sacrifices the free energies of the citizen to a self-absorbed and largely fictional pattern of social meaning.
Ideas and quotes from “Beyond Alienation by Ernest Becker
Civilization Has Become an Uncritical Style of Life
Civilization Has Become an Uncritical Style of Life
Not sure this applies to the topic, but at least I'm being consistent 
What you posted made me think about the way children (and other animals) play. Play is childrens' work, you've heard said before, and it might be true. Children pretend when they play. I've read psychologists reporting that children pretend as a way to learn how to take on roles and responsibilities, the cultures of the adults they imitate in their play, in order to deal with the reality of impending grown-uphood.
It used to be kids pretend life was developed from their own imagination, initiated by what they saw around them perhaps, but created from an imagination that held its own mystery and awe. That's how I remember it anyway.
Now I see kids' make-believe based on the artificiality of adulthood and so-called reality of society which isn't real. How sad is that? I'm not sure kids have to tap into their imagination anymore.
Erin
What you posted made me think about the way children (and other animals) play. Play is childrens' work, you've heard said before, and it might be true. Children pretend when they play. I've read psychologists reporting that children pretend as a way to learn how to take on roles and responsibilities, the cultures of the adults they imitate in their play, in order to deal with the reality of impending grown-uphood.
It used to be kids pretend life was developed from their own imagination, initiated by what they saw around them perhaps, but created from an imagination that held its own mystery and awe. That's how I remember it anyway.
Now I see kids' make-believe based on the artificiality of adulthood and so-called reality of society which isn't real. How sad is that? I'm not sure kids have to tap into their imagination anymore.
Erin